These anthropomorphic images by Brenda Runnegar are derived from photographs taken of animals, majestically matched with appropriate historical early American Folk Painting.
Fenja T. Ringl’s hand-printed works on paper and ceramics explore the intricate forms of Australia’s flora and fauna, the landscapes they inhabit, and the environmental ‘archives’ — layers of memory and material — that shape our understanding of past and present.
This exhibition expresses the beauty and colour Lien To sees in the world in spite of vision impairment, revealing a love of bright colour and detail, with a mix of Copic marker and collage.
Christine Upton’s latest work involves the depiction of memories and their association with blossoms that fade and disappear over time.
A series of quilt and collage works by Helen Heslop, created from photographs taken of landscapes in the South Coast of NSW.
Thirteen artists have chosen to work in the traditional Japanese woodblock printing tradition of Mokuhanga to create an image in response to a selected poem by renowned tanka poet Saeko Ogi.
Katrina Barter explores the dynamic nature of memory through grid-based abstract paintings, inspired by moments of intense appreciation of being alive.
Roslyn Kean showcases a unique body of distinctive complex woodblock prints, built on the foundation of an ancient tradition, achieving a sense of ritual, lyricism, and contemplation.
Working primarily with hard, unfigured stone, Senden Blackwood investigates how light travels across curves and edges — how illumination transforms weight into movement and solidity into quiet radiance.
Using botanicals gathered along Ginninderra Creek, Josie Cosgrove imprints their pigments, textures, and forms onto fabric and paper. Each piece becomes a direct translation of place, shaped by season, weather, and chance.
Helen Shields gazes towards a world beyond ordinary appearances, where the physical and structural are realised by shifts in perspective via a Neo
Brutalist aesthetic.
Ngunna Dhaara celebrates Richie Allan’s deep spiritual connection to Ngunnawal Country.
This collection brings together slow fashion processes, upcycled textiles and hand-worked surfaces that honour the stories and materials that shape each garment.
Ngiaga (I/I am) is a collaborative series of mixed media works created by Leilani Dewis and Uncle Thomas Brown (Senior) with other First Nations artists, exploring the interconnected stages of life.
In this series of photographs, Ngunnawal and Wiradjuri woman Alana Harris reflects her connection to her Grandmother, Grandfather, and Mother through traditional connection to their homelands.
This exhibition showcases artworks and cultural artifacts created or designed by young Aboriginal men participating in the group, reflecting their individual and collective journeys, identity, and connection to culture.
Dominika Cady, Shawnah Cady, Hannah Langford, Eva-Lee Williams
“Home” explores the varied and deeply personal meanings of the word, through the eyes of four aspiring student artists. Each work in this exhibition reflects an individual interpretation – ranging from physical spaces, kinship, childhood memories and identities.
Wilay Designs – Jazz & Kristal Matthews
“Footsteps Through Country” is a celebration of connection, growth and the strength found in culture, community and Country.